I recently had a bit of a setback. Having rewritten Starfire, I published chapter one in a couple of my circles on Google+, only to be told by a few people that it read like an info dump. Which is a wee problem, because that was my way of getting around other tricksy bits in the story. So now Starfire is on the back burner again (i.e. I'm flummoxed and my poor weary brain needs pondering time).
Normally 'pondering time' means me sitting at my desk and staring out of the window, thinking vaguely about this and that before popping down the pub for a soother. I get a lot of good thinking done at the pub, don'cha know. But not this time.
I'm taking on a large project indeed, one that other writers have tackled but none to my own satisfaction. It's the Trojan War, to my mind not just the best fantasy tale but the finest story ever told. It has everything; love and revenge, pride, honour, and broader ideas like the clash and change of cultures. We see the idealised warriors fall, while less martial but more thoughtful men triumph, as Odysseus does. It's just a hypnotic saga, so brilliantly brought to life by Homer that it still fascinates us three thousand years on.
It presents challenges I've never faced. One is that we all know what happens at Troy, we know the fate of the main players. The interest has to lie not in 'what happens next?' but in how it happens, and why. I think I'll also introduce lesser characters, people not mentioned in The Iliad at all - a farmer from Sparta maybe, sucked into a war he doesn't understand or care about: and a horse whisperer who came to Troy to make his fortune and instead has found conflict. There'll be others too, I'm sure. Troy isn't a new story so I have to make it feel new, and this might be how I can.
Another challenge is the sheer scale of the story. Google 'The Catalogue of Ships' if you like, and look at the sheer number of captains, kings and countries involved. And that's just the Greek side! So far I've got nearly 30 sheets of typed notes, and I'm not nearly done; I'm still reading two different reference books and one other fictional version of the war. To be honest it's pretty scary. I've no idea whether I have the skills to manage a novel (or trilogy, most likely) of this size. But you know, that's part of writing. The day it no longer excites you, it's time to stop.
So here it goes. Volume one is tentatively called The Long-Haired Kings, by the way, meaning the Greeks, but I have no real idea what to put on the cover except vague thoughts about Greek art. If you know of any painting or fresco that might suit, or where I can see a selection of such art, let me know, eh? I could just do with a bit more research to tackle,