In Dreams Awake

Our truest life is when we are in dreams awake.

(Henry David Thoreau)
Showing posts with label characters. Show all posts
Showing posts with label characters. Show all posts

Tuesday, 22 January 2019

Fire in the Hole

 My current WIP is a bit noir, a bit mad, a rock and roller of a story that runs at breakneck speed. It's utterly different to anything I've done before, and it'll need a lot of editing once it's done. It's really fun to write though, I'm bursting with it, so I thought I'd share a sample with you.

 This is the opening of the story, in which we meet the MC Trist and his peculiar companion;


       The tall man stepped over a smouldering rug. Around him fires flickered and bodies lay on the carpet, in the chairs, one even half out of the window.
Might have been a bit over the top,” he said.
You do the sword, I do the fire.”
Yes,” Trist said, looking around. “I just hadn’t expected quite that much fire.”
They’re down, aren’t they?”
The problem, Feng, is that not many of them are likely to get up again.”
He found a little blaze that was feeling its way towards the curtains, and stamped it out in a billow of sparks and ash. Next to it was the man in the window. Trist pulled him away. Glass crackled and fell to the floor. A shard six inches long was lodged in the man’s throat, and Trist grimaced.
Looking out, he saw the garden below was deserted. Well, not quite. A lone gardener fled for his life and vanished as Trist watched.
Trouble?” Feng asked.
There will be. The servants will go straight to the Watch. We’ll have company very soon.”
We knew that would happen.”
He shrugged. “Maybe not so fast.”
Lucky you’ve got me then,” Feng said.
Movement drew Trist’s eye. One of the slumped figures had begun to stir. A young man, hair singed and clothes sooty, his back turned. He pushed up on his hands and then froze as Trist’s blade kissed the skin under his throat.
Had a nice rest?” Trist asked. “I’m so glad. Fresh minds find answers so quickly, don’t you think?”
The man was young, probably a few years short of twenty. A fold at the outside of his eyes, which swivelled around the room. When they fell on Feng he gave a little whimper.
Let’s start with some easy questions,” Trist said. “What’s your name?”
My – my name?”
Don’t you have one?”
Uh… Anterl.”
Well, good evening, Anterl. I trust you’ve had a good day? Up until the last few minutes, anyway. No? Well, here’s another question. How do you like working for Margon Sleeth?”
It’s all right,” the youth said.
You like working for Sleeth,” Trist said. “The drug dealer. The man who brings waste and death to hundreds. You like it.”
No answer. The youth trembled.


 The scene goes on, but that's enough for now. The story seems to have more dialogue and less narrative than usual for me, which wasn't a conscious choice (well, not at first). It also has a proper anti-hero, and later a strange lot of characters, some human and some not so much. And it's really huge fun.


 Hope you liked the taster. If you see anything obviously wrong or clanky, please let me know. I reckon I can take it y'know. Come to that, let me know if you enjoyed it, the old ego could always use a stroke...

Saturday, 1 July 2017

Lives of Their Own

 Yesterday I held an author event at South Molton Library, not far from Barnstaple. South Molton's a small village, but the library is surprisingly large and very well laid out. Half a dozen people came to listen to me speak (the fools).

 I don't much like speaking in public, it makes me nervous. As I've said before, writers tend to be solitary types, who enjoy quiet hours sitting at a screen. To us, talking with six or seven people in a library is a bit too much like roistering. I like a good roister, mind you, but only when I can drink beer and talk nonsense. It's different when I have to talk sense.

 I'd like to say that the trouble is people who don't behave like characters in the books I write. Real people say odd things, they surprise me, whereas the characters go where I tell them to. The trouble is that they don't. My stories are forever being rewritten because Calesh (or Suchi, or Talac) comes to a point where he just wouldn't do what I want him to. I know the chap better by then, I've been telling his story for the past 80,000 words, and the blighter just would not do what the story needs him to do. I end up with him shaking his head at me with his arms folded, and I have to say Okay, Okay. I'll rewrite your back story, I'll bin four chapters and do them over, edit five more, and waste half the sodding work I've already done. Happy now?

 And he is. He goes cheerily down the new story path with his hat at a jaunty angle while I bang my head on the desk.

 But you know, when your characters do this, they're taking on lives of their own. They're not real, never can be, but they're close enough to fool me.. and so I guess they'll fool the reader too. We can believe they're real. And those are the good characters, the ones we root for and grieve with, and maybe share the triumph in the end. When the people in your book start saying Nope, not doing that, then you know you've written something genuine. Not a cutout figure with as much emotion as wet paper.

 So I try to be happy when I have to rewrite half the book, because I end up with a better story and truer characters in it. And that's pretty good.